This is one of these pages. Click on one of the above for a different OTRR Suspense - Single Episodes page.
SUSPENSE an introduction
Copyright Jim Widner (firstname.lastname@example.org)
18 Oct 1994
On September 30, 1962 a major milestone in radio drama came to an end with the final episode of the long running series, SUSPENSE. Ironically, the episode was titled "Devil Stone" and was the last dramatic radio play from a series that had its roots in the golden age of radio.
What began as a "new series frankly dedicated to your horrification and entertainment" took on a life of its own mostly due to the talents of some outstanding producers and adaptations and original stories from the cream of mystery writers of the time. The golden age of radio was truly the golden age of SUSPENSE as show after show broadcast outstanding plays which were "calculated to intrigue...stir [the] nerves."
Many of the stories produced by Mr. Spier are now classics of the genre. Listen to the likes of "The House in Cypress Canyon" (listen/downoad) as a young couple encounters something in the closet of their new home, something horrible and dangerous; or "The Hitch-Hiker" (listen/download) in which a man driving cross-country seems to be haunted by an ominous figure, who keeps reappearing trying to get a ride. But what foreboding does the hitchhiker hold for the driver?
Another rule William Spier established was to make the series a place to hear the talents of Hollywood's famous actors. There rarely was a famous actor who did not appear on the series at some time. Jimmy Stewart, Cary Grant, Humphrey Bogart, Lucille Ball, Olivia de Havilland and many others all made at least one appearance. The series had a generous budget from its network, CBS.
In 1948 the series had become popular enough that it was decided to broadcast for a complete hour, instead of the former thirty minutes. The actor Robert Montgomery was brought in to introduce the plays, replacing the "Man in Black" character and occasionally star in them. This format lasted only six months most probably due to the realization that the show worked best within a thirty minute framework.
It was at this time that William Spier left and over the years others came to produce the shows, each setting his own unique mark. Anton M. Leader, who came from producing another horror radio program, Murder at Midnight (OTRR Murder at Midnight), added some lighter SUSPENSE stories which focused more on the central characters. Jimmy Stewart appeared in an excellent story about a paralysed war veteran who thinks he has found the man who imprisoned and tortured him. Fibber McGee and Molly appeared in a tale about a killer on the loose in "Backseat Driver" (listen/download).
Probably the biggest change in SUSPENSE came under the producing eye of Elliott Lewis. Lewis brought in comic actors to play serious roles. Actors such as Jack Benny, Red Skelton and Ozzie Nelson. He also was not afraid to experiment using the series slot for classic "murder" stories such as "Othello".
The series continued to produce high-quality drama, though there were many repeats as well as borrowing of scripts from other radio shows. While a number of film actors continued to star occasionally, many of the stars were from radio and television since radio as a dramatic art form was beginning to lose its popularity and budgets were tightened.
The show was on the air for a little over twenty years beginning in January, 1942 and was rarely pre-empted. There were 947 performances. Nearly all (approximately 895) are available to collectors. When SUSPENSE left the air, radio was never to see the likes of such a series again. Now the great medium of radio where imagination can run free has been reduced to the occasional brilliant drama airing sporadically in some corner of the world. SUSPENSE was a golden moment in a golden age. A moment when the thrill of the nightime led the listener along the path of intrigue, horror and dangerous adventure.
Permission for use granted by Jim Widner
NOTE: Updated with Version 2 files (12-Jan-2020).
From the Old Time Radio Researchers Group. See "Notes" Section below for more information on the OTRR.
It contains the most complete and accurate version of this series in the best sound possible at the time of creation. An updated version will be issued if more episodes or better sounding ones become available.
This is the Single Episodes Page. The Certified Set includes extras not found here. It is located at OTRR Certified Set. This Single Episodes page is provided in case you want to sample the shows.Note that in many cases, file names have been modified from the original OTRR names to conform to archive.org naming requirements.
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OTRR Maintained Set -- This set contains all known episodes in the best available audio condition with the most accurate dates and titles known to be in general circulation and based on current research at the time of release. Replaces OTRR Certified Accurate and OTRR Certified Complete.
OTRR Non-Maintained Set -- A collection of shows that has not gone through the OTRR Maintenance process.
Pre-2019 OTRR Definitions:
OTRR Certified Accurate -- A series that was "Certified Accurate" indicated that all the episodes were properly identified and labeled based on current information but that the series did not contain all known extant episodes.
OTRR Certified Complete -- A series that was "Certified Complete" achieved the highest level of certification available under the OTRR Certified Standards. This certification level implied that all the files in the series were "Certified Accurate" and also indicated that the series was as complete as possible and included all circulating episodes.
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January 18, 2018 Subject:
Suspense on a roll
After a year and a half on the air, Suspense is now on it's way to become more than just a radio drama. More and more the program attracts big name actors and the writing is very sharp. 1944 is a good year for stories, and it's also the one you'll want to hear "Sorry, Wrong Number" It's the third production, but the best if all seven. The first version was actually fouled up by an actors miscue plus it has poor audio quality, and the later versions are hacked away in length from commercials. (The late 50's version is only 19 min.) So, begin here and enjoy thru 1955, as '56 is nearly all do- overs and repeats.
October 13, 2017 Subject: